Having discovered his passion for filmmaking in high school, Duncan was named Western Australian Young Filmmaker of the Year in 1982, and graduated from the prestigious Australian Film, Television and Radio School in 1987. His graduate film earned a Certificate of Merit at the Chicago International Film Festival, and another AFTRS editing project was nominated for Best Short Drama at the Australian Film Institute Awards.
In 1990, Duncan began twelve years in the Video Department of the SYDA Foundation, an international organization promoting yoga and the spiritual legacy of India. This multi-faceted workload (including editing, camera, engineer and director of live, multi-camera global broadcasts) took him to New York, California, India, Mexico, Spain, Poland and England.
In 2002, Duncan joined Lucasfilm’s Documentary Department where, for the next five years, he created or contributed to many documentaries and promotional pieces for Lucasfilm, LucasArts and Industrial Light and Magic, most notably the documentaries for Star Wars Episode III: Revenge of the Sith.Late 2007/early 2008 brought Duncan his first feature editing opportunity, and The Kiss received its successful premiere at the Lake Arrowhead Film Festival in April 2008. The Kiss was awarded Best Horror Movie at the West Hollywood International Film Festival.
Since moving to Los Angeles, Duncan has edited shows for the CW, PBS, the History Channel, Spike TV, Discovery, NatGeo, Lifetime, Travel Channel, Smithsonian Channel and more. He looks forward to applying his story-telling talents to new projects.
Duncan has an artist's sense of montage, timing and music. In several of our projects together, he elevated the material to a new and improved level.
Duncan Sinclair is a true storyteller. He has the ability to pluck the most interesting threads of a story and weave them together to deliver a riveting show. On Monster In My Family, his editing expertise, use of visuals, sound and pacing, created a program that was far more than the sum of its parts.
Duncan is an asset to any production.
At first I had no real idea how to edit the film,
but Duncan found a path through it, and a way
to tell the story with sensitivity, fairness and clarity.
I am eternally grateful to him for structuring this story which has now influenced and inspired so many.
Whether it’s heartfelt drama or bloody action, Duncan is always one of the first people I call when I need an editor. He’s a true talent and a good guy to work with.
His steadiness and concentration are an inspiration in the midst of deadlines and the pressure of many projects. He is an enthusiastic and conscientious team player - ready to do whatever is required in the moment and willing to go the extra mile.
I've worked with Duncan on a variety of projects, from the over-the-top action of 'Deadliest Warrior' to the reflective medical of 'The Man with the 200 lb Tumor.' Whatever the subject, he always edits with care and precision, and brings the project to life.
Duncan Sinclair, Film/Video Editor
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